Thought Kitchen

Inventory, alphabetized.

4 April, 2009 · Leave a Comment

ARTEMIS
Orion, mighty son of Neptune, famed hunter and all-around good guy was the only man Artemis ever loved. They shot stag together, running free across the Mediterranean fields. Jealous, of his aim or of his ability to woo and win the lithesome goddess, Apollo sent a colossal scorpion to dispatch Orion. Artemis vowed never to love another man. Artemis is a virgin goddess. Orion, apparently, was a slow mover.

BOOBS
I was flat-chested as a boy until my junior year of high school.
On school holidays, my friend Kam and I would walk up and down my mother’s street in our torn-at-the-knee jeans and our bras. Three passes – black, printed, the extra-thrilling nude – and no one, those late Friday mornings, to see us.

CATALYST
Generally speaking, those I sleep with experience epiphany. Waking early – I let no one close the blinds – they realize that the inevitable has arrived, they are falling in love, they have fallen in love, crazy, technicolor, shouting love that bursts from their pores, glistening. Love sweat, unstoppable, undeordorized. It’s not me they’re in love with. And that’s not to say that they’re in love with the experience of me, or the mysterious spector of me. They are not in love with me; they are in love with someone else.
Generally speaking, this doesn’t bother me. I never deeply care for, and often don’t even deeply know these stricken souls. I like to think of myself as the catalyst, the bright burst of sex and shallow, easy affection that brings two foreign elements together. My body, the Bunsen burner.

DUN, DUN, DA, DAH, I’M GETTING WET!
September 2003, Cosmo’s top one-hundred sexy things to say in bed, number 37: I am getting wet!
“Who wants to announce it?” Katie said.
“Shouldn’t you not have to announce it? Theoretically?” I said.
“It’s a proclamation. Of joy,” Kam said.
“Dun, dun, dun, dun, dun, da, daaaah! I don’t know what any of the boys I’ve been with would have done if I had proclaimed in the middle of sex,” Keerthi said.
“You’ve had sex?” I said. “Plural?”

ECDYSIAST
def. A striptease artist; stripper. Coined by H.L. Mencken in 1940 from the Greek root ekdysis. Also the title of the newsletter of the Charleston, SC, based Crustacean Society.

FORGIVE AND FORGET
I go back and forth on whether this is healthy.

GERSHON, GINA
I first saw Showgirls over winter break. I know because it was on during the three promotional days of Showtime, to which my family did not subscribe, which run close to Christmas. My dad was on the large chair in the back of the room. I lay, half hidden, in the beanbags below. I suppose I was all hidden. Realizing I was there, my father kindly suggested it was past my bedtime. It was too late. I had seen Elizabeth Berkley kick her topless way to the top, had seen Kyle MacLachlan lure her, naked, to the pool with vibrant cocaine, had seen Gina Gershon whisper “Darlin’” like a snake hissing hello. But mostly I had seen the dancing bodies, bare but for fishnet and lace, glide with tantalizing grace across that Vegas stage.

HBO
When one is fourteen, HBO’s Real Sex makes one wonder just how prevalent sex circuses, flaming pasties, and stripping Scandinavian weather women really are.

“I WROTE THAT STORY MYSELF, IT’S ABOUT A GIRL WHO LOST HER REPUTATION AND NEVER MISSED IT”
-Mae West

JEWISH MOTHER
One day last spring, my mom and I planned the Passover menu.
“He’s a vegetarian,” I said.
“What’s the deal with this boy?”
“I don’t know,” I said. “It’s less than defined.”
“Are you friends,” my mom said.
“Yes,” I said. “But recently we do things that friends typically don’t do.”
“Like kissing,” she said.
“Like kissing, yes,” I said. “Sort of.”
“Have you slept with him?” She didn’t even look up.
“Well, yes.”
“Carly!”
“You asked?”

KOMODO DRAGON
During mating, female dragons become fiercely antagonistic and must be completely restrained by the male in order for successful impregnation. Despite this violent behavior, Komodo dragons often form pair bonds, a rare show of monogamy in the reptile world.

LADY WINDERMERE’S FAN
Ideals are dangerous things.

MINSKY’S
Rose Louise Hovick made her stage debut as Gypsy Rose Lee at Minsky’s House of Burlesque. Gypsy’s life, adapted from her memoirs was chronicled on Broadway and in Hollywood in Gypsy. The film starred Natalie Wood, Rosalind Russell, and Karl Malden.
NATALIE ANGIER
A science writer for The New York Times, Angier reported on the sexual behavior of dolphins in 1992. A year later, Condé Nast Traveler ran the caption “The mating habits of male dolphins amount to gang rape” next to a photograph of a pretty blond tourist snapping a picture of a bottle-nosed dolphin off the Australian coast. As Gregg Mitman reports in Reel Nature: America’s Romance with Wildlife on Film, this was no revelation to the film industry, which had been censoring footage of male dolphins on homosexual escapades and female dolphins masturbating with beach balls since the 1940s.

OPPOSITES
Karl Malden plays Mitch to Vivien Leigh’s troubled Blanche in the Elia Kazan version of A Streetcar Named Desire. Tennessee Williams gives Blanche the truest line in print today. “Death,” she says, “the opposite is desire.”

PROBLEMS TALKING
Rape victims are often portrayed as having problems talking about what has happened to them.
I didn’t talk for three years.
This is apparently no longer a problem.

QUINCE
“I wasn’t sober.”
“Were you drunk?”
“I don’t remember getting there.”
“But you–“
“I remember. I woke up. Or starting remembering again.”
“Carla, you should talk to someone.“
“And say what? A bruise can happen from anything.”
“What bruise?”
I pulled the zipper of my sweater down from my neck. Across my chest, slanting down from my sternum under the curve of my clean, white bra is the uneven mark, mottled and darkly purple, like quince cooked too long in wine and honey.
“Carla.”
“I know, I know.”

ROHYPNOL
Rohypol is the pharmaceutical name for flunitrazepam and is illegal in the United States. According to womenshealth.gov, a women’s health information center maintained by the Department of Health and Human Services, Rohypnol can cause the following problems after ingestion:
sleepiness
muscle relaxation or loss of muscle control
drunk feeling
problems talking
difficulty with motor movements
confusion
loss of consciousness
problems seeing
dizziness
inability to remember what happened while drugged
confusion

SHOCKED DISBELIEF
RAINN – the Rape, Abuse, & Incest National Network – catalogs three phases in Rape Trauma Syndrome. The first, the “acute phase,” can be either Expressed or Controlled. Emotions run like sparkling water, shaken and released in a torrent that touches the ceiling of sanity, or capped in time and left persistently pounding bubbles at the bottle’s inner edge. Survivors, as RAINN calls them, can also react with Shocked Disbelief, characterized by an inability to orient oneself to everyday tasks and decisions. This can manifest itself in the failure to study for econ tests, sit through more than five minutes of math section, write English papers without a hangover, or follow through on the cushy tutoring job your TF set you up with.

THAT’S ALL THERE IS, THERE ISN’T ANY MORE (stage door canteen)
In the film Stage Door Canteen, Rose Louise Hovick, by this time firmly established as Gypsy Rose Lee, performs a striptease. Her audience, men and women, hoot. She pulls her garter from under her skirt, teases one leg at a time out from her petticoats, coaxes down her stockings to the beat of the music. Slowly she recites:
“When I lower my gown a fraction and expose a patch of shoulder, I’m not interested in your reaction, or in the bareness of my shoulder, I’m thinking of some painting my Van Gogh or by Cezanne or the charm I found in reading Lady Windermere’s Fan….And when I raise my skirts, with slyness and dexterity, I’m mentally computing how much I’ll give to charity.”
Leaving the stage with her gown intact, though her petticoats are around the neck of a lucky gentleman in the first row, Gypsy smiles. “That’s all there is; there isn’t any more.” She laughs at her own line and, with a bare-legged kick, backs through the heavy velvet curtains and off stage.

USED
There is a pervasive feeling, once you’ve had sex with someone for the first time, that the jig is up.

VAN MORRISON
Van Morrison was the only artist Justin and I could agree on.
I made a promise. No sex until the third date. Isn’t that the rule? Justin laughed into my mouth. “It’s great,” he said, “that you’re the one who’s dying to have sex. I can be patient.”
“So I’m the boy?” I said.

WIND POWER
North of Palm Springs, Highway 111 passes through the wind farms of the San Gorgonio Pass. The double bladed windmills spin across the desert scrub, their arms turning at eerily different speeds, the trick of angles and breezes to fine to catch from the speeding car. Staring out the window of a rented sedan, the scene lulls you into daydream.

XENA, WARRIOR PRINCESS
Kicking ass in a leather corset and hiding a sword beneath a shimmering veil are tricks that every woman should know.

YOU GOTTA GET A GIMMICK
Watching the miles of wind turbines through the Coachella Valley, I daydreamed my strip routine. I had learned from Gypsy. My gimmick was fire. I wore flames, my hair shone mahogany. Slowly easing around the stage, out of grasp of the vying men, I called a volunteer from the crowd. He jumped the stage. I slid my palm down his chest, spun myself around him like a web. I pulled him in and I kissed him. He fell like dead wood. He was a plant, my boyfriend, and we would pull the bills from the raised stage and drive home together through the desert night.

ZOOMY
A German body-artist, Zoomy paints abstract designs and costumes on naked bodies.
My mother told me I was fascinated by the cover image of Madonna, painted into a tux, on the cover of some glossy magazine in 1994.
She told me this to explain why she was not surprised that I was the only girl in the infamous Larkin Calendar with only a layer of paint between her breasts and the camera (not to mention KTVU and CNN viewers everywhere).

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La peste

4 April, 2009 · Leave a Comment

Alex has lost weight, and the striped rugby shirt, loose last year, floats around him like a shroud. Perhaps this is a trick of my eyes. I’d very much like for him to be a ghost. The bottle of cheap Cabernet in his hand is a quarter full. The dark girl next to him slumps into his shoulder. His eyes gleam hard and beautiful. I know if I look they will eerily match the pale blue paint of the Slavdom porch – they are that blue that floats like water across the cornea, reflecting the world back to itself, rather than taking it in.
“How are you?” I say.
“Better than you, apparently.”
I adjust the crutches under my arms and my hands slip with sweat along the foam handles. My right foot is heavy in its large padded boot.
Alex raises his eyebrows. His mouth pulls at the corners, twisted into what would be curiosity in any other face. The gauntness of his cheeks swallows the question, he looks wry, wrung out. He gestures with the bottle.
“I broke my foot,” I say. “Weren’t you in Guatemala this year?”
“I was. Now I’m here.” The girl shifts from his arm, leaving a space between them, and stares past me to the dark street.
“Now you’re here,” I say. Shit. “What did you do? In Guatemala?”
“I read. You’ll appreciate this.” I have an image of him: crouched under my half-lofted bed where I have spread fifty dollars worth of Ikea pillows and stacked my books three deep. He is over for the first time, a party, a freshman, and we are hidden from the room by the heavy fleece blanket draped from the bed. Methodically he picks through my books, restacking them on his other side.
I want to throw my bookcase at him, remind him what an amazing, fascinating, brilliant person I am. But he’s still talking. “I reread everything. Tout mon Camus.” He rattles on, waxing, I’m sure eloquent, on La peste, which I have not read. “Je peux pas echapé cette quarantine.”
I’m not drunk enough to deal with this. He goes on, gesturing broadly with the bottle. “C’est un peu la peste, non?” Completing the grand motion, he raises the bottle to his mouth.
“J’ai pas. La Bataille d’Alger, c’est un peu plus my speed.”
“The star, he was a real–“
“I know,” I say.
“Guatemala?” I say.
“Si.”
The last time we spoke – did we speak? – at least, the last time I saw him and he looked right through me, he was heading for China, set up with a cozy lab position that he was not qualified for. The last time it mattered, he was in my bed, and looked me straight on as he said, “This might be the last chance.”
“Guatemala is not China.”
“True enough,” he says.
I stretch my leg, pushing the dead weight of my foot behind me to feel the stretch through the corded knots of my quad.
“Why are you back?” Who’d leave tropical idyll for Palo Alto?
“Stanford, man,” he says. “Can’t stay away.”
I don’t press it. “You’re back in the zoo.” I smile.
“What’s that?”
“We’d all like to be wild, and we’re all a little caged.”
“What animal am I?”
I think immediately of his long fingers. “Oh, you’re a monkey. Easy.”
“A monkey?”
“Kind of gangly and apish.”
He laughs. The girl next to him does too, turning back to us. It’s time to go.
“So does that mean that Stanford offspring are hybrid species? What’s it, sixty percent of Stanford grads marry other Stanford grads? What’s a monkey crossed with a cat?” he says.
“I’m not drunk enough for this conversation.” End scene.
“We got wine.” He offers me the bottle. He is only two feet away, if I reached out with my crutch I could touch his leg. Instead I gesture to my own.
“I’ve got make it down the steps,” I say.
“Good to see you,” I say.
“Yeah,” he says, sounding surprised.

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The Players

4 April, 2009 · Leave a Comment

The message goes out Friday; the time stamp reads 1:13am. The four will be getting back together. The correspondence is clipped. The players are already warming up to their strategies. The game is on.

“Sunday night? Mirrielees?”
“I’m good any time after 7.”
“Sure.”
“Seven it is. Ready to get rocked?”

Innocuous sounding, sure. But veiled beneath those words is a snarl of alliances, secrets, sex, and, of course, bullshit. These kids are playing BS.

It began in the fall, when the quarter was young enough to still be confused with the misspent days of summer, when the responsibilities of school had not yet clamped its jaws around the ankles of our heroes. It began in Montara.

Seniors, these four were the last remaining at the end of a long day of team bonding, the tried and true Stanford method of the group retreat. Meetings had been run, goals set, dinner cooked and messily eaten. A rousing group game of Boggle was followed by a covert slip down to the beach, where underclassmen were given beers and the talk turned to ten fingers and who had done what in what semi-sordid academic building. But the hours passed and as the new day rolled over, the group drifted to their snug hostel beds. The charges were down for the night. Our four seniors were left in the softly lit kitchen.

The ringleader pulled out a pack of cards. He shuffled once, twice. “Ever play BS?”

The others laughed. Who hasn’t been to summer camp?

This was not that kind of BS. In this game, order was tossed out the window, players could count cards, stall, pass, and lie lie lie until even then didn’t know which of the eight sets of two sixes they’d put down was the real thing. Maybe they’d never had sixes all along.

The four, each centered along a side of the smooth wooden table, settled in. Music hummed softly in the background. Lying, and winning, one player began to dance in her seat, her eyes half closed, her lips pursed, watching the competition through her eyelashes. The dark horse pressed his leg against hers under the table. Neither of them moved. On her other side, a queen was rising. She must win. She called every quickly whispered bluff, laughed at the awe and anger on the faces of the losers. The dancer, between them, gently swayed. Let them destroy each other. She ran her foot up the strong leg beside her. She can eliminate the dark horse in another way.

The ringleader watched them. They would get no sleep that night. They would play until the sun crept over the mountains in slashes that streaked the windows like water. The daze of the game would linger. They would spend the day laying on the beach, driving home through the mottled shadows of Highway 84, developing strategy. In the months to come they would pass the game to others, but they would always play each other, the assembled guests just accessories to the subterfuge. “Three kings,” he said, watching the dancer. The players passed. “Three kings,” he said again.

“Pass,” said the queen.

“Pass,” said the dancer, now straight and still.

“One king,” said the dark horse, hoping. No one was watching his hand. The ringleader held the room.

“Three kings.”

“Bull fucking shit.”

The ringleader smiled and slowly turned the cards, three smirking kings. He leaned back, his chair tilting toward the wall. With a smash his fist hit the table. “Rocked!”

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Some new thoughts…

4 April, 2009 · Leave a Comment

…are being added in from subsequent adventures in CNF. Most of the pieces above were written in the late spring and late fall of 2008.

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Elements of My Father

11 June, 2007 · Leave a Comment

[Under a Big Sky, take two. As always: comment, comment, comment.]

I am consistently drawn to the books of male mid-life crisis. Oh, there is such a genre, though I myself didn’t realize that that’s what it was at first. But those straight talking, usually spare, writers who show you their turmoil again and again, though they will never say that trouble outloud – they get me every time. Hemingway, Carver, McGuane, Harrison, O’Brien. I am fascinated with forty-year-old men with issues. Perhaps it is simply the style. Without the slightest whining, without asking for it at all, the characters in these books pull empathy out of you, make it seem as if your own troubles could be expressed in the purest of prose. Of course, I began to read these books for the same reason I began to listen to Led Zeppelin. My dad did.

My dad was born in Sarasota, Florida and spent his childhood in West Palm Beach – a town that is, in whole, on the wrong side of the tracks, separated by four straight iron bars from the southern columned mansions of Palm Beach Drive. My dad is the middle child. His brother is two years older than him, and his father twenty. To this day my dad has never eaten a mango because his neighbor in West Palm year after year allowed the trees of his yard to drop their fruit to the lawn, where they became an oozing brown mass, stinking of bad sugar, a haze of bees and stinging flies. My dad went to Catholic school where, he told me as we read Tom Sawyer together, they actually do rap you with rulers. He spent years hiding baseballs from the nuns, who insisted on the less dangerous and boringly puffy softball. As a sophomore in high school my dad won the State Championship swim meet in the five hundred free. His school placed second, though my dad and his brother were the only members to make it to finals. “If we could have has relays,” he will still say, “we would have won.”
My dad went to Princeton on a swimming scholarship. He got the call at swim practice – it was the only time his coach let him stop in the middle of a set. “I’ve got Princeton admissions on the line,” he said. They wanted a decision. There were other schools who wanted him too, but his brother was at Princeton, and hell, they’d called the pool. In the Princeton yearbook from 1972 my dad has long hair, a messy near-bob, and round glasses. He was a straight A student at Jefferson Davis High (except for the one class, senior year, where he decided to test the bounds of academic flightiness and do no homework, no reading, no studying – he was awarded a B) but was put in remedial English his first week in New Jersey. (This only served to vindicate the observations he had already made about the quality of his secondary schooling.) He began studying civil engineering and architecture. He swam distance for the swim team until the day his coach made them swim a 20,000 for time. At a sprint pace that is nearly a four hour task, and you try sprinting for four hours. After two, my dad got out of the pool and joined the rugby team.
On a whim, because it couldn’t hurt, and because he wanted to see if they would let him in, my dad applied to Stanford Business School. They let him in – over some of his Princeton buddies who had guided their whole undergrad careers toward Stanford GSB. Shocked, he gave them the academic version of a shrug, and deferred for three years. It is here that my knowledge of my dad begins to get fuzzy. I know something took him from New Jersey to Stanford, and north to Napa. Somewhere along the line he discovered he loved wine. He opened his own store, filled with boxes and complete with tasting bar, the year before I was born. But I don’t know how he got there, or why. All these stories – wimpled nuns and state championship medals, rugby scars and academic plans – I’ve had to fight for. None (except the mangoes) has been offered freely; there’s no “Hey Car, did I ever tell you about the time…?” All the leads come from my mother, my grandfather, my dad’s college friends. And the thing is, they’re always shocked he hasn’t told me yet.

***

Glacier National Park stretches, a green icicle through northern Montana, all the way to the Canadian border. Over my fifth birthday, when I was still an only child and long family vacations were the normal form of celebration, my parents and I drove through the brown flats of Nevada and the spiking, tall grass of Idaho to hike in Glacier. There, aside from the predicable icy masses, there are ranges of rocky hills, splattered with brush. There are mountain goats that leap across them, like thick clouds. There is a ranger station and a lodge and a store that sells miniature versions of the fat mountain goats and sugar cones of huckleberry ice cream. In Glacier National Park, there are also bears. Brown and black and advertised on warning signs everywhere. Caution: You are entering BEAR HABITAT. Be Alert. Do Not Feed the Bears. I may have been concerned with making sure the store ice cream freezer was stocked with enough huckleberry to last until I was back from the day’s hike, but most patrons cared only about the supply of bear bells.
We had stopped in the ranger station store to get water or a map – or some other necessity that I, most likely drooling over the play goats and purple ice cream, was not concerned with. My parents argued.
“You know,” my dad said, “they only attract them.”
“I don’t want to see any bears.”
“Wear those and you will.”
Mom chose to listen to the ranger. We were each given a leather strap, with small, round, jingle bells. Leaving the store, I saw that everyone around had them too – a whole herd of reindeer must have been robbed to furnish the joint. My dad refused to carry his, so Mom held one in either hand, letting them ring freely as she walked.
“There’s the dinner bell,” my dad said.
“Stop it, Gig.”
He ignored my mother. “He-ee-re beary, beary, beary, he-ee-re. Come and get some people food!”
I looked at my bells. “They call the bears?”
“No!” said my mom. “They keep them away.” Her voice strained a little, but we were climbing uphill. She shook her bells. “They tell them there’s humans around.”
“That’s right. And human food.” I’m sure she shot Dad a glance at this point.
“But don’t worry, honey, we won’t see any bears.” She tinked her bells on mine.
“I want to see bears.” I ran to catch up with Dad. “Would bears like huckleberry ice cream?”
“You bet.”
I shook my bells for all I was worth. “He-ee-re beary, beary, beary! He-ee-re – fresh huckleberry ice cream! He-eeee-re beary, beary, beary – free huckleberry ice cream at our hotel!”
Suddenly figures appeared above on the trail. My dad stopped sharp – Sshh!
“What, what?” Mom jumped to a stop too, though she was behind us. I noticed that she had stopped shaking her bells.
Dad pointed up the trail. “There,” he said, pointing at the now still shapes ahead of us. “Bears.”
I can feel my mom’s clutch on my arm, the maternal panic in her fingers that spread wide across my skin. She stilled the bells. She may have covered my mouth too, just to make sure I didn’t invite these actual-there-in-front-of-us bears back for dessert and a movie at the Glacier Park Lodge. We were frozen. If I could have seen my dad’s face, I’m sure I would have seen him grinning, but he was feet above and I was fixed in the grip of my mother. There was a beat with no sound but the soft echo and creak of the bells, stirred still by the wind. Then my mom’s eyes must have narrowed, her grip loosened and then vanished; she must have swatted my father too, a hard slap against the shoulder, even as she laughed. A bear might attack a hiker, might steal her food, might – in my mother’s mind – even eat her, but what bear keeps the stolen backpack?
We continued up the trail, past the couple coming down, “He-ee-re beary, beary, beary!” as we jangled past.

My mother was not, in neither her nor my youth, an outdoors woman; it’s not surprising that she bought bear bells. That roadtrip that took us to the far reaches of Montana grizzly country, camping in quaking Aspen groves and fields of grass so tall they hid me from sight, could not have been her idea. Since then, however, she’s changed. She learned the name of, it seemed, every wildflower we ever saw on a Sierra trail, and taught them all to my dad and me. Slogging up Mt. Dana, a peak on Yosemite’s eastern border that rises a vertical mile for every lateral mile of trail – you have to go more than a foot up to move a foot forward – she would point and recite them endlessly, spurring me on by pointing to tiny purple patches half a mile up, saying, “Look how bright it is – what do you think it could be?” Curiosity stimulated, I kept climbing. To this day, when I hike with my dad, he will stop me by the brightest patches, “Do you remember which one this is?”

***

People are shocked that my dad never relates the stories of his youth, but there are certainly things that I don’t tell my father either. My parents separated when I was fourteen, a freshman in high school. Two years later, they divorced. Perhaps one day reams of troubled writing will come from the experience, but at the moment, I doubt it. The shift from one house to two, from arguments echoed down the hall to easy split custody weeks, was far from traumatic. The only trouble I can find is that suddenly, with that split, my dad and I were out of each other’s loops. By the time I got to Dad’s house on Sunday night, the week’s stories were old news. I had already told them – to my mother. It felt awkward to repeat them, and maybe sometimes I really was convinced that I’d already told him, that he already knew. We still talked, of course. We talked about swimming, about the skiing at Taos, about Mario Batali’s latest food network scheme. And what I was studying, thinking, reading seemed too banal for me to repeat.
I began reading these books for my dad. To impress him, to understand him, to know what he was talking about. At least that’s why I think I started. But by now, they are so read and reread that I don’t really know anymore. I keep reading them.

Illumination comes at unexpected moments. I called my mom on a Saturday morning. “I just wrote you into my story,” I said, “what are you doing for lunch?” We went to Coupa Café, had Venezuelan arepas, sat in the back. The walls are painted a rich, bloody red – the color a ruby should be, the color of bottlebrush and ocotillo flowers.
“This is the color I want in my dining room,” my mom said.
My mother and I began designing painting schemes my sophomore year in high school, a year after legal separation made her a homeowner, proprietress of three bedrooms, two baths and lots of white walls. We carried framed pictures from room to room, coordinating colors. I brought home reams of paint sample slips. Our walls are, of course, all still white.
“That’s what you should get Danny to do this summer,” I said. How my brother spends his summer time is always a concerned debate – will he be too bored at tennis camp, is the YMCA day program still as awful as it was when I was there? “Don’t worry about camp, make him paint.”
“He couldn’t do it alone.”
“The kid’s thirteen, by the time I get back from Montana he’ll probably be taller than me.” The fact that this is not an impossible exaggeration is a scary one, and I stopped talking, taking a pull of americano. My mom began saying something about how she doesn’t like to leave him alone, her undying reasoning for ignoring statements like the one I’d just made.
“It doesn’t matter,” she said, “he’s going to D.C., to visit his cousins.” His cousins are, of course, my cousins – four cherubic and clever boys who never shut up and who, when they are, one by one, released to collegiate freedom will go wild, bucking hard to shed the vestiges of strict parental overprotection. We saw them last summer for the first time in nine years. They are hilarious, and my brother fits in like some dark-haired clone. Their father, my uncle Mark, is two years older than my dad and, as far as I can tell, his diametric opposite.
“How did Dad and Mark get to be so different? It makes no sense.”
“They’ve always been different,” my mom stirred the ice cubes in her glass, “since I met your dad. Mark was a playboy, gregarious, always. Your dad was shy.”
Dad was shy?”
“Dad is shy.”
“He wants me to work at the wine shop, after my birthday. If they start opening on Sundays.”
“He told me.”
“He did?” Surprised again – he’d only just told me. “I wasn’t sure he was serious.”
“Your dad doesn’t joke about those kind of things.”
A waitress came with our food, pale cornflour arepas, white cheese and black beans sliding out onto dark green salad leaves.
Mom looked up, smiled at the server, “This looks delicious,” she said. She slid my plate across the table to me. “Your dad’s funny,” she said. She scooped up the arepa with both hands, bent to lift it toward her mouth. She paused, looking at the opposite wall. “What if we only painted one wall red?”

I will not be here to help my mom paint her one wall red because I will be living and working in Montana this summer. (I am not bringing bear bells.) It will be the first time that I am somewhere that is not home as neither a student or a tourist. No hotel rooms, no host families. Living, working – a resident with a P.O. Box and a morning commute from Mammoth Hot Springs, the National Park Service town in the northern reaches of Yellowstone, to Gardiner, where the Heritage and Research Center, the three-storey sandstone building that feeds the Yellowstone Museum stands, built awkwardly into the rolling Montana hills. I leave in less than two weeks and have still not chosen a route, though I was in AAA for maps well over than two months ago. There are so many places between here and what will be my summer home that I haven’t seen yet, and so many that I remember but haven’t seen on my own. I’ve traced at least nine routes to Gardiner, light pencil smudges on the green and brown maps.

Montana is home to bears and goats and glaciers – and writers too. My kind of writers. In the third novella of his collection, The Summer He Didn’t Die, a story called “Tracking,” that is in fact, not a novella at all, but a stream of consciousness memoir, Jim Harrison writes of his move to Montana that that land “had passed the test of having enough otherness to keep the mind alive.” Tom McGuane, after years of publicly – and literarily – chronicled cocaine abuse settled himself and his stories in Big Sky country. Big Sky country. How could it not inspire creativity, possibility? A land so open, the sky must stretch, pulled taut at the edges, a unfillable canvas reaching down to you. I can feel, when I read these stories, when I picture this sky, the enormity of the word choice that that place must give. The Big Sky lends itself to honesty, crisp and true. But I don’t know if that’s what my dad finds there. I don’t know if he hears that same cadence.

I don’t ask my dad why he reads these books because I am scared. We live in a balance – a power dynamic that it is not my place to shift. He is my father. And I am worried that he will laugh at my spirally visions of what it means to be under the big sky. Maybe I’m overcomplicating. Maybe I’m scared that I’ll like my interpretation better.
I don’t talk with my dad about anything that isn’t real. We talk about the relative insanity of climbing Everest without training or bottled oxygen or, like one recent summiter, legs. But we don’t talk about why humans feel an urge to be 30,000 feet in the air, to drop thousands of dollars and possibly years off their lives for a photo or two of them wheezing on the top of the world. We don’t extrapolate.

***

Two Septembers ago my dad took me to Europe – three weeks in Italy, Switzerland, France. A belated birthday present. Together with six or so of my dad’s friends, we would be visiting vineyards, getting private tastings while my dad decided whether to buy this vintage or that, whether certain vineyards were on the way out, which producers were pushing the bounds. Free food, free wine, Europe with the adults – I was thrilled.

Six hour lunches and red wine headaches are not all they’re cracked up to be, however, and by the second week of our trip, I was bloated and tired. That was when we left Tuscany and ballooning wine glasses behind. When we crossed the border to Switzerland. The highways widened, and street signs became uniform and painstakingly clear. We followed the white arrows, past Interlocken, taking a left where the two lakes that give the city its name nearly touch their grasping banks together. We drove along the straight Swiss railroad tracks into the Alps, to Grindelwald. It is a town made of slope-roofed chalets, their balconies dripping with glossy red flowers, and a town made for mountaineers. Gray-black peaks, scraped smooth by ancient ice, rise in every direction.

The trail we took climbs from the south end of town, down and around the last houses at the foot of the glacial valley, and then up, hard. Every so often there is a sign, painted dull gold, that points the direction in which you are walking and how long – if you’re a Swiss grandmama, says my dad – it will take you to get there. The trail is steep, the Swiss seem not to believe in switchbacks. But it was warm, sunny, and my dad returned every “Gruss Gott,” the exultation that passes for greeting in the Bernese-Oberland. I merely smiled. We did nothing but continue up. The valley below us turned into a chasm, a deep gulley that led, the most majestic garden path, to the slowly falling glacier that rests, so precariously, on the back of the Schreckhorn. We hiked, steeply up and over and around the rocky meadows. We hiked for many more hours than we had intended, and the appointed hour for dinner down in the valley came and went. We hiked and should have been in pain, but wanted only to know where the trail led next, where it went whenever it curved up the mountain, out of sight. By the end of it, we would be crippled, a pair of silly American gimps, limping faintly bloody trails through the grass, hiking boots in hand as we covered the last mile back to our chalet. But up above the valley we simply hiked, wanting only to be higher on the glacial moraine. We hiked until there were no other hikers, and we were alone in the alpen scrub, the shadow of the Eiger pyramid cutting a line like jet stream across the sky, no one, no one except bell-collared sheep above and below on the steep mountain field. Ahead the trail curved sharply to the left. A dark leg emerged from behind the rocky corner. I stopped.
“What?”
I pointed. “Bears.”
Dad smiled. “Shh,” he said, “they might know English.”

***

I do not tell my dad about the books because we don’t talk about that sort of thing. My dad is not my source of intellectual conversation. Despite his own intelligence, his own quick wit and quick mind, his is not the educated side of my family. It is my maternal grandfather – the man who put himself through college and grad school, supporting parents who refused to learn any language other than Yiddish, who made himself a professor, a recognized man, sought after for boards and advice, dean of the Sloane School of MIT, thanked in Carly Fiorina’s memoirs – who earns the title of intellectual patriarch. And he deserves it. In his deep, slow voice he discusses theory and life, with no little joking, with each of his grandchildren, starting when we are far too young to understand, consciously creating a passion for chewing on words. He reads nearly everything I write, and I am promised all of his books. Here is the person to tell about the wanderings and hypotheticals of my mind, here is the audience. But would he understand the appeal of a curved horizon, broken only by ancient pyramids of granite, jagged and snowcapped and begging to be climbed?

My reasoning is off though: my dad gives me books too. Now that I think about it, outside of the endowment from my grandfather’s retired office, more than anyone else. He began basic, maybe that’s why it never felt significant – Tom Sawyer, Huck Finn, Treasure Island, Michael Strogoff – these were obviously the books he had read as a boy, even at eight I knew that, and so it was clear why he was giving them to me. But things have become more interesting. Alan Lightman’s Reunion – another in the middle-aged-man-revisits-his-youth theme – and a translation of a German book called The Arbogast Case, which was so haunting and so graphic I never told my mother what it was about or anybody else that my father had given it to me. These books enjoyed no explanation. I did not know, when I opened them, having felt the hard spines through the Christmas wrapping and peeled the tape back with an unbroken nail, whether he had read them or not. And if not, what it was about them that was making him give them to me. But I like these books. And I like the books I buy myself after seeing them, soft covers beginning to curl, on my dad’s shelf. So maybe it’s time I started paying more attention. Maybe there is a reason he’s been giving them to me.

The last book my dad gave me was The Snow Leopard. I had never read Peter Matthiessen. The book was paperbacked, sheathed in murky plastic with two orange price stickers from the Bangkok airport. I thought I knew the reason I got this book. To be fair, it was both an easy and an elegant conclusion. Matthiessen had trekked through Nepal, on paths frequented almost only by Sherpas, Bhotes, and Tamangs, following the scientist George Schaller in his search for the blue sheep found only in the Himalayan passes. My dad had just returned from Kathmandu, had just returned from a trek through Nepal and Tibet, from Mount Kailas – a mountain so holy its summit is forbidden. I read the Matthiessen in a week, mainly at work, a cushy summer job that consisted mainly of driving the dignitaries of the publishing world to and from lectures at Stanford’s professional publishing course. Each morning I would wake early, drive fast, to get to the hotel early, to enjoy ten, fifteen, twenty minutes in the morning sun, leaning against my white van, dreaming it was Himalayan moraine. The publishers loved it. Men in their fifties, controllers of today’s written word, suddenly began to tell me about their youths, their first encounters with Matthiessen, what they were reading at twenty, the adventures they had led. They would look at my book and begin to talk. It was fascinating, and so I listened. Finished, they would look at the book again, look at its dog-eared pages, “You’ll go far in life,” they always said.

I have begun to pay more attention to my Matthiessen. If it meant so much to these men – if it was enough to establish me in their good graces, to guide me up the path to success – maybe it meant something to my dad too. Having now read and reread, almost in a circle, never ending, simply beginning again, I can tell you what I learned. The philosophy of the mind is changing – we do not think one thing, and think it for the rest of our lives, or even our week. There are good days and bad days, and each has its own thoughts. We save our different thoughts by writing them down and we share them by giving words – in the air or on the page – to others. But up above the glacial valleys – in the Sierra, the Alps, the Himalaya — and under the pinned down curve of our big sky, all those thoughts, and each curve and each shift from one to the other, are visible. We can ask questions and tell stories, but up there, we don’t need to. In the absence of other human life, our self stretches to fill the void, letting every feeling be seen. You cannot hide your thoughts when winded, on the top of a mountain.

I am sure I will never know everything about my father. And I don’t really want to. This mystery, this problem solving, the sleuthing through shelves and nightstands – Is that a dog-ear? Has he been reading this one? – I love the challenge of my father. I can’t imagine my life without it. The fact that I can find these bits of him from the grainy pages of a paperback, from the inexhaustible expanse that circles a summit peak means that those bits must be in me too. Matthiessen says that we are all of the same elements, that the lesson of the mountains is that they are made of the same stuff we are. He is right. It’s nice to know, though, that not only are we made of the same oxygen, hydrogen, and calcium, but those atoms can be moved in just the same way. Bits of understanding that go deeper than the elemental.

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